Thelma the Unicorn
Thelma the Unicorn, a new Netflix animated family movie, has plenty of successful tricks aimed at kids: glitter and cotton-candy pink, a pile of sass jokes, a mini-album of catchy original songs, a lovable hero in its titular singing cheese-turned-The- Unicorn,
however, is perhaps its greatest asset as an illustration of its reputation, easy enough to grasp for phone-brought-up youngsters, but eye-rolling to those who understand matching-double-denim-aspirations in reference to the red carpet.
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I imagine being aware of or aspiring to viral fame – Instagram celebrity, TikTok trend, overnight YouTube star – is confusing even before you really know yourself. In the grand tradition of kids’ movies made with adult references and talking donkeys, Thelma the Unicorn, directed by Lin Wang and Napoleon Dynamite’s Jared Hess, offers plenty of glitzy, thoroughly silly fun for a modest, sunny message of staying true to yourself. Light scene.
It comes with plenty of damage along the way, which provides the bulk of the film’s humor. Thelma, voiced in her voice-acting debut by Alabama Shakes frontwoman Brittany Howard, is a small-town pony with a DIY backing band (she runs manure on a farm) and dreams of crowd-surfing at the music festival Sparklepalooza.
Failed by the usual dismissal of an American Idol-esque audition – we don’t like your looks, you don’t have the “it” factor – Thelma takes a break and shines because of a collision with the paint of a clumsy truck driver (Zach Galifianakis). Her unicorn makeover was an immediate draw; In this world, written by Hess and Jerusha Hess, about humans and animals co-existing with a famous narwhal popstar, a unicorn is still a rarity—can you
believe it? A deleted “Picstagram” profile, a new moniker, and a viral video of her singing later, Thelma is an overnight star as a unicorn, not a pony — much to the chagrin of her bandmates Otis (Will Forte) and Reggie (ex-Napoleon) Dynamite. John Heder), who advocates being himself.
But in the grand tradition of music biopics (think Rocketman or Elvis but with barnyard animals for kids), Thelma falls into the clutches of Vic Diamond (Jemaine Clement), a predatory music manager in the vein of ’60s London, who promises her the world: her own unicorn jet, her His own No. 1 hit, replacing his own show
with aging pop diva Nina Narval (Allie Dixon) and her planning assistant Megan Shank (Eddie Patterson), Danny Stallion with a “Tubetube” star named Fred Armisen). (Good to offer kids some celebrity media literacy!)
Thelma’s time with Sell Out Records – “because what we sell sells out immediately”, as Vic says – is both the funniest part of the movie (a low-key hip-hop music video on a yacht is particularly inspired) and the film’s
best showcase. As for the animation in question, which can sometimes turn out to be fantastic. Has snot, pink eyes, and lots of manure; Vic, in particular, is rendered with big teeth and a gut, coded as sleazy and openly craven for a bit of character.
But Thelma the Unicorn is a mostly upbeat ride, as the little show pony learns her lesson and finds a more authentic way to be famous after several disastrous PR moves at the Music Video Awards. Howard, given
several opportunities to showcase her powerful singing voice with music by John Powell, also wins with her speaking, imbuing Thelma with folksy charisma and confidence; She can’t believe herself without pink unicorn dust, but there’s no doubt she’s a star to watch.
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That’s enough for a movie of this ilk: a worthy lead character, some catchy songs and dances, and enough self-awareness to appeal to those not distracted by all the unicorns. In a sea of family content that is more often than not boring, Thelma Unicorn surfs, for the most part, above the crowd.
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